Ұ ϰ, Ʈ Ʈʽ
Ұ ϰ, Ʈ Ʈʽ
Ʈ Ȧ Ŀ̼ 2015: ƺ ũ
Ʈ . 귣 ̹ Һ ڱϴ Ʈ Ȯϰ ִ. ν ̹ ̵ Ű, ȭ ö Ѵ. Ʈ Ʈʽ̶ ´ Ϸ ϻ Ѿ ȸݿ ũū ȭ ´.
ۺƮ , Ʈ Ʈʽ Ѵ. Ʈʽ ΰ ϴ پ Ʈ ̼ 캸, ̼ ϴ 鵵 ˾ƺ. ٸ Ʈ Ư ̾ Ȱȭ ʸ Ʈʽʰ Ѵ.
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In this volume, types of art partnership has been categorized by PUBLIC ART. Various projects, missions of corporations, and support provided based on enthusiastic partnership formed by corporations and arts organizations will be explored, along with the corporations that has actively participated in the art scene by establishing foundations. A full coverage on art partnership has been provided once in one of the issues last year. In this issue, by extension, domestic and foreign cases of the further activated sector will be looked through to describe the partnership between a corporation and art, and also a diagnosis on art partnership at this stage will be provided, along with the direction of the development of the marketing/partnership strategy in the future.
Three video projectors, three lenses, player and Watchout system Dimensions variable Installation view at Hauser&Wirth, London
2015 Diana Thater Photo by Alex Delfanne Courtesy Hauser&Wirth
special feature_
Ʈ Ʈʽ, ϴ
VOLKSWAGEN & MoMA ps1
ٰ & PS1
ڵ & Ʈ ν īƼ
ũƸī & ƮϹ̼
UBS & ַθ R. ӹ̼Ʈ
ް & ַθ R. ӹ̼
ġ & Ͻ
Ϸ & Ʈ
ȭ Ʈ
[ó] ۺ Ʈ Public Art
翡 Ͽ, ۱ǹ ȣ , մϴ.